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Dithering:
Since the ink has to physically pass through a mesh onto the page, any gradations of a colour have to be translated into a dot or dither pattern. That dithering, combined with the amount of colours used, and transparency/opacity of the ink, determine the subtlety of gradations in the final product. In my work I opt for more graphic, comparatively "coarse" gradations; they can be much more photographic.
Trapping:
As each layer is printed, the little gaps between the colours begin to disappear, the lighter colours getting "trapped" where the darker colours overlap them.
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